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03OctDove - Onslaught

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Title: Onslaught
Advertiser/Client: Unilever
Product/Service: Dove Self Esteem Fund
Country: Canada
Advertising Agency: Ogilvy & Mather
Creative Directors: Janet Kestin, Nancy Vonk
ACD/Writers: Tim Piper, Mike Kirkland
Art Directors: Stuart Campbell, Mike Kirkland, Sharon Lee Pan, Tim Piper
Executive Agency Producer: Brenda Surminski
Agency Producer: Jeff McDougall
Production Companies: Worldwide Productions, Miami; Steam, Toronto
Director: Tim Piper
DP: Marc Laliberte-Else, Ray Dumas,
Photography: Mark Belvedere, Tim Piper, Mike Kirkland
Post Producer - Stefani Kouverianos (Soho)
Online Editor: Kevin Gibson (Soho)
Off-line Editor: Tim Piper
Assistant Editor: Mark Sheehan (Rogue)
Sound design: Vapor, Toronto
Site: campaignforrealbeauty.co.uk

Following the success of the award winning Dove Evolution video, part of Dove’s Campaign for Real Beauty, Dove is now launching the follow up: Onslaught. It’s a short film featuring a young girl being bombarded with hundreds of images of female perfection, drawing attention to the need for a wider definition of beauty in society. The campaign is made by Ogilvy.

16AugVaseline - Sea Of Skin

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Title: Sea Of Skin
Advertiser/Client: Unilever
Product/Service: Vaseline
Entrant Company, City: Bartle Bogle Hegarty, New York
Country: USA
Advertising Agency, City: Bartle Bogle Hegarty, New York
Country: USA
Executive Creative Director: Kevin Roddy
Creative Director: Kash Sree/Craig Smith
Copywriter: Jordan Kramer/Amir Farhang
Art Director: Jon Randazzo/Andre Massis
Agency Producer: Julian Katz
Account Supervisor: Maxim Dashin
Production Company, City: SMUGGLER, Hollywood
Country: USA
Director: Ivan Zacharias
Producer: Nick Landon
D.O.P/Lighting Cameraman: Jan Velicky
Editor: Filip Malasek
Music - Artist/Title: “String Quartet No. 2 3-III” by Michael Nyman
Sound Design/Arrangement: Srdjan Kurpjel/Zound/London
Post Production: The Mill/London
Other Credits: Bruce Wellington - Executive Producer/Production company executive producers-Brian Carmody/Patrick Milling Smith

In “Sea,” large masses of people represent the fabric of skin, using interpretive choreography and placement in landscapes to dramatize some of the skin’s amazing qualities.


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