Archive for October, 2009

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Medal Paints – Right Colour

Agency: Lowe Bull JHB, South Africa
Creative Director: Rui Alves
Art Director/Illustrator: Chris Charoux
Copywriter: Eoin Welsh
Published: August 2009

The right colour matters.

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Canal+ – The Closet

Title: The Closet
Client: Canal+
Agency: BETC Euro RSCG
Country: France
Advertiser: Canal Plus SA
Brand Name: Canal +
Original Title: “Le Placard”
Production Company: Soixante Quinze 75
Date of First Publication: 9/27/2009
Tagline: For you, we create extraordinary stories.
Creative Driector: Stéphane Xiberras
Art Director: Eric Astorgue
Copywriter: Jean-Christophe Royer
Director: Matthijs van Heijningen
Agency Producer: Isabelle Ménard
Account Managers: Raphaël de Andréis, Alexandre George, François Brogi
Post Production: Mikros Images
Sound Production: Kouz Production
Advertising Managers: Beatrice Roux, Mathieu Mazuel, Fleur Ajavon

Ever notice how action-adventure plots also make for great alibis?

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Amnesty International – Insomnia

Title: Insomnia
Client: Amnesty International
Advertising Agency: Rapp Collins, Paris, France
Creative Directors: Damien Frossard, Gilles Duplan
Art director: Guillaume Paquin
Copywriter: Renaud Legros
Director: Jeremy Halkin
Production: ESKWAD
Post Production: Mikros images
Sound design: AOC
Branded content director: Romain Pergeaux

To mobilise public opinion for human rights, it takes some effort to be heard. With its new film « Insomnia », created by agency Rapp and directed by Jeremy Halkin, Amnesty International invites everyone to take part in events organized for the Amnesty nights. The more people get involved, the more noise they’ll make… and the less leaders of certain countries will be able to sleep with a clear conscience. So turn up the volume!

The Amnesty nights website: http://nuitsdamnesty.amnesty.fr/

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Nike – Evolution

Title: Evolution
Client: Nike
Agency: WEIDEN + KENNEDY USA
Time: 30 (director;s cut)
Director: Neill Blomkamp
Production/animation/VFX: The Embassy Visual Effects Inc.

Blomkamp has likely directed many more ads, but the few he’s actually put a credit to are head and shoulders above his videos. His Nike shoe video has just the level of creativity that was missing in the music videos, with a simple design perfectly executed by giving a shoe almost-alien evolutions to show off the company’s different styles. Blomkamp’s CGI is typically impressive, but the signature part of the commercial isn’t the CGI but the placement of the shoe under a bridge. Blomkamp connects the strangeness of the events with reality here, featuring subtle non-diegetic sound to help situate things. It’s important because of how it differentiates the scene from more typical commercials, which are frequently shot in an all-white soundstage, and the touch gives the video an odd note of poignancy.